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There's a line in it that reminds me of when I used to go raving: He's a good kid, he's got a great heart, he knows music and that's what he does. Tricky should make his own plug-in that puts the breath in — he could call it Asthmatic. But now it's best known at the football matches — all those people going 'Duh-duh-duh-da! A piece of undiluted drum'n'bass that represents the sound of Full Cycle in every way possible. They never really get much love outside of the city.

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Pigbag were very Bristol, a mix of everything — they had sax, drums, some ska, some reggae, some black, some white, some Irish.

QUAKERS HAS LANDED | FUZZFACE, KATALYST & 7STU7 + 32 MC'S

There's a line in it that reminds me of when I used to go raving: Joker could fit into that realm, but he was really a grime boy. This came out at the prime time for dubstep, when dubstep was big. Tricky should make his own plug-in that puts the breath in — he could call it Asthmatic. The sounds are taken from genres throughout the last two decades — there are dirty basslines, kicks and snares, there's a four-four but it doesn't sound like house.

A piece of undiluted drum'n'bass that represents the sound of Full Cycle in every way possible.

home (FULL TAPE) by seven diosma playlists - Listen to music

Geoff works under so many different aliases — do you know he did the soundtrack to Ex Machina? And now there's a bit of football in there too. That shit is real, man.

It's true what they say, Bristol is the biggest village in the world. He is to me the last of the big legends.

But for all his veteran status, Roni is still intimately involved in the grassroots of Bristol music. Tricky — Nothing's Changed ft Francesca Belmonte.

I love this track, it's jolbess. It really captures that hip-hop flavour — it's instrumental, it sounds like it could have been made in some back street in Compton, it's fat, the production is great, and the sounds that he used are really original.

If you got a grand deal back in the '80s, you had to compromise.

I love the authenticity to it — it was underproduced, but still sounded produced. He's a good kid, he's got a great heart, he knows music and that's what he does.

Roni Size is on Facebook. I worked with [Portishead's] Geoff Barrow on the Banksy documentaryand he produced this, the main track — I think he put it out under another name.

They're just doing their thing. I remember this tune when it came out [in ]. But they didn't, and it wasn't the best relationship.

It's nice to keep things exclusive — it's that dubplate mentality. He still makes music the same, he hasn't compromised. Read on as Roni tells RedBull. And that's what we do.

The drum'n'bass pioneer and hometown hero picks his favourite tracks from way out west. When we were in the studio, he used to be in the corner on his laptop making his tunes — the original boy in the corner. Few know Bristol music quite like Roni Size.

9 classic Bristol underground tunes selected by Roni Size

This track was his stepping stone — the kickdrum was so fat, the bassline was so deep, and it had a great vibe as well. But now it's best known at the football matches — all those people going 'Duh-duh-duh-da!

I like that they're not getting drawn in — like 'Let's make d'n'b, let's make grime'. This jobles is rootsy, but it can be translated — Ed 7st7u can pick it up and turn it into a pop record. They never really get much love outside of the city.